Bibek Debroy: A Luminary in Indian Economics

Bibek Debroy: A Luminary in Indian Economics

On November 1, 2024, the Indian economic community mourned the loss of a towering figure, Bibek Debroy, who passed away at AIIMS Delhi after battling health issues for several months. Yet, even in the face of adversity, he maintained a remarkable dedication to his professional obligations and scholarly duties, demonstrating a sharp intellect and characteristic wit until the very end. As the Chairman of the Economic Advisory Council to the Prime Minister (EAC-PM), Debroy’s contributions to Indian economics were profound and far-reaching, making him an indelible part of the nation’s economic narrative.

Debroy’s tenure at the EAC-PM was marked by significant achievements, where under his leadership, the team flourished and worked diligently towards the larger goal of Vikasit Bharat, a developed India. His vision encompassed not only economic growth but also social equity, aiming to create an inclusive framework for progress. Debroy’s wealth of institutional knowledge and understanding of administrative history made him a treasured asset to the Council. He was a mentor to many, providing guidance and encouragement while nurturing a broader curiosity among his colleagues and students. His influence on young researchers was particularly noteworthy; many found their professional calling under his tutelage, benefitting from his expertise and passion for economics.

Bibek Debroy was a scholarly giant, distinguished by his eclectic interests and pursuits. His academic work spanned various fields, reflecting a unique blend of expertise that is rare in the discipline of economics. Among his many passions was the translation of Sanskrit texts, an endeavor that highlighted his deep appreciation for India’s cultural and intellectual heritage. Debroy believed that understanding ancient texts was crucial for grasping the roots of contemporary society, and his translations made significant contributions to this field, bridging the gap between historical scholarship and modern understanding.

His commitment to cultural scholarship was matched by his dedication to practical reforms, particularly in the realm of Indian railways. Debroy recognized that a robust railway system was essential for both economic growth and social connectivity. He argued that effective transportation infrastructure could enhance productivity, create jobs, and ultimately lead to a more integrated economy. His research and recommendations on railway reforms were not merely theoretical; they were grounded in a thorough understanding of the challenges and opportunities facing India’s railway system. He advocated for modernization and efficiency while emphasizing the need for inclusivity and accessibility, ensuring that improvements benefited all sections of society.

Debroy’s interests were not confined to the corridors of academia; they extended to the nuances of everyday life and culture. For instance, his unique research into the role of dogs in Indian and Hindu life was a testament to his belief that economics must be contextualized within the larger tapestry of human experience. By examining the intersections of culture, economics, and social behavior, he brought a holistic perspective to his work. This interdisciplinary approach not only enriched his research but also inspired others to think beyond traditional boundaries.

As an economist, Debroy’s work covered a vast array of topics, including economic theory, income inequality, and infrastructure financing. His insights into income inequality were particularly critical in a country like India, where disparities in wealth and access to resources are profound. He was an advocate for policies that sought to address these inequalities, emphasizing that sustainable economic growth must go hand in hand with social equity. His research shed light on the complexities of income distribution and provided policymakers with frameworks to create more equitable systems.

Infrastructure financing was another area where Debroy made significant contributions. He understood that infrastructure is the backbone of economic development and that innovative financing solutions are crucial for progress. His recommendations often highlighted the need for public-private partnerships, creative financing models, and efficient resource allocation. By emphasizing the importance of infrastructure in facilitating economic activity, he played a pivotal role in shaping discussions around national development strategies.

Throughout his career, Debroy was not only a prolific writer and researcher but also a communicator of complex ideas in a way that was accessible to a broader audience. His ability to convey intricate economic concepts with clarity and precision made him a sought-after speaker and commentator. He engaged with the public through various platforms, fostering an understanding of economic issues among non-specialists. His passion for educating others about economics was evident in his writings, lectures, and discussions, where he combined depth of knowledge with a relatable approach.

The impact of Debroy’s work extended beyond academia and policy circles. He was deeply loved and admired by a diverse range of individuals, from economists to policy enthusiasts and Sanskrit scholars. His genuine interest in nurturing talent and promoting intellectual discourse created a supportive environment for learning and collaboration. Many of those who worked with him speak fondly of his mentorship, recalling how he encouraged them to pursue their interests and develop their voices in the field.

Bibek Debroy’s passing leaves a significant void in the Indian economic landscape, but his legacy will undoubtedly endure. The principles he championed equity, inclusivity, and intellectual curiosity remain vital as India continues on its path toward development. His scholarly contributions and policy recommendations have laid a foundation for ongoing discussions and efforts to address the complex challenges facing the country.

As we reflect on his life and contributions, it is essential to recognize the values he embodied. Debroy was not just a scholar; he was a thinker who sought to connect the dots between economics, culture, and everyday life. His belief in the importance of interdisciplinary approaches encourages future generations of economists and researchers to explore the rich interplay between different fields of study.

In commemorating Bibek Debroy, we honor a life dedicated to the pursuit of knowledge and the betterment of society. His commitment to fostering curiosity and encouraging others to engage with complex ideas will inspire future scholars and policymakers. As India strives for a developed and equitable future, the lessons learned from Debroy’s work will guide and inform the path forward.

In conclusion, Bibek Debroy was a multifaceted intellectual whose contributions to Indian economics and culture were nothing short of extraordinary. His profound insights, unwavering dedication, and infectious curiosity enriched the lives of many, creating a legacy that will continue to influence and inspire. He will be missed dearly, but his impact will resonate in the ongoing journey toward a Vikasit Bharat. As we navigate the challenges and opportunities ahead, let us carry forward his spirit of inquiry, commitment to equity, and love for learning, ensuring that his vision for India lives on in the hearts and minds of those he inspired.

The writer is an Indian technocrat, political analyst, and author. The views expressed in the article are his own. He is active on social media with his handle @prosenjitnth

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Obituary: An Ode To A Legend

By Amit Khanna

Dilip Sahab undoubtedly is one of the greatest actors we have seen, not only in India but perhaps across the world. He pioneered, what we today call the method school of acting, and generations of actors have used him as their role model.

I first met Yusuf Sahab more than 50 years ago when I had just started working with his contemporary and friend Dev Anand. Soon thereafter, when I went to Bombay to work, I used to see him at the studios and wherever he went, I would see that he was looked upon by actors and other unit members and workers with awe.

I don’t remember the exact date but in 1972, I met him again at a common friend’s residence. That was the first time we chatted and I was pleasantly surprised to see him speak with authority not only on cinema but other subjects like politics, art, and literature.

I also used to address him as Lala. Over the years, I got to know his family and you know, his brothers and sisters. Over time, I cannot claim he was a friend, but he was somebody who was warm and affectionate towards me. He would talk to me as I was a younger member of his family.

Contrary to the myth, I remember those days where Dilip Sahab, Dev Sahab, and Raj Kapoor Sahab were very warm and affectionate. Yusuf Sahab was very concerned about the pride of the film workers, he would ask all of us as to what we were doing for welfare.

He raised funds for various causes, in the mid-70s there were floods in many parts of India, he organised a film star rally, and most of his contemporaries like Dev Sahab and younger stars like Dharmendra and all the leading ladies came together.

Whenever there was a natural calamity or even after the 1971 War, he was actively involved in organising premiere shows and star nights for collecting money for the welfare of people.

We grew closer over the years. I would go to his house or drop at his film shootings and we would talk about projects. Our common friend JK Kapoor had produced a film with Dilip Sahab and Saira Ji in both Hindi and Bengali called ‘Sagina Mahato’.

One day, JK Kapoor called me and said Dilip Sahab has to do some scenes because he had written them in Urdu and he needed someone to translate them into Hindi so he asked me why don’t you do it? I said I am very busy but then I met Dilip Sahab, I translated what was written, I got one of my persons to work with him for a while.

He got to know then that I was a writer. Every time I would bump into him, he would ask me what song have you written? He behaved like someone elder in the family and when I became the producer, I started India’s first integrated media company, which did several TV shows and movies. Whenever I called him for functions, he would always come. Even if he was busy, he used to say for you I will come. Younger people in the generation looked up to him. Mr Amitabh Bachchan has always looked up to him, the same can be said for Shahrukh Khan.

When I talk about the current generation, I remember one incident related to Rani Mukherjee. Once, she had spent the whole evening sitting at Dilip Sahab’s feet and she kept on talking to him.

‘Hulchul’, ‘Deedar’, ‘Shikhar’, all these films were hits, but then came his first Filmfare Award in 1954 for ‘Daag’. The film ‘Devdas’ (1930) originally starred KL Saigal and in that film, Bimal Roy was the cinematographer.

Bimal Roy then made ‘Devdas’ in 1955 and he casted Dilip Kumar. Dilip Sahab gave such a nuanced performance that it still remains as a test book for all actors. Everyone watches that film and of course, Shahrukh Khan played Devdas in the next remake.

Yusuf Sahab has also given some powerful performances in movies like ‘Ganga Jamuna’, ‘Mughal-E-Azam’, ‘Naya Daur’, and ‘Karma’.

Yusuf Sahab was very big in public life also, he was a member of the parliament in Rajya Sabha. He was given the Padma Bhushan and later on Padma Vibhushan by Prime Minister Narendra Modi’s government. Dilip Sahab is the only actor who has won eight Filmfare Awards. Now, the number of awards has gone up but Dilip Sahab has won every possible Lifetime Achievement Award.

For the last 10-12 years, Yusuf Sahab was suffering from Alzheimer’s disease. He had forgotten faces and he would often forget who is there. It was sad to see him like that.

The last time I met him on his birthday three-four years ago, he kept holding my hand and he said thank you for coming. Age had caught up with him, but I must give full credit to Saira Bhanu ji, she has looked after him really well.

For me, it was more of a personal loss.

(Amit Khanna is a filmmaker, writer and industry veteran). (ANI)