Jaya Bachchan

Women Are Stupid Not To Let Men Pay On Dates: Jaya Bachchan

Veteran actor Jaya Bachchan in the latest episode of Navya Naveli Nanda’s vodcast ‘What The Hell Navya 2’, titled ‘Macho Myths and Modern Men’ shared her views on how women should let men pay on dates.

The latest episode saw a new addition: her brother Agastya, along with her mother Shweta Bachchan and grandmother Jaya Bachchan.

In the episode, Navya discussed men and toxicity.

Navya was talking about how these days’ women feel independent and want to pay for food on dates. She said, “For example, today if you take a girl out on a date and you offer to pay, some people get offended by that. Because women now feel they’re equally…”

To this, Jaya interrupted and said, “How stupid of those women. You should let the men pay.”

Navya continued, “No, but I’m saying these are things that happen. That ‘Oh we can open the door for ourselves. You don’t need to open it for us.’ So, where do you draw that line?

Shweta then asked Agastya, Are you opening doors for people?

Jaya again get into the conversation and said, “Basically, what they’re trying to say is – don’t be chivalrous. How stupid is that?”

Agastya had a completely different take on it on this matter, explaining the difference between chivalry and toxicity, he said, “As long as you’re doing it to be polite, and not show ‘I’m the man,’ you can’t go wrong. If you’re opening the door not to be like, ‘i’m the one opening the door’ instead you’re doing it because ‘I want to help you,’ it’s never gonna come across the wrong way.”

“If you want to say, I’d love to pay for this meal, it’s not going to come across, the wrong way because you’re doing it to do something kind. Not like ‘I’m the provider, so I’ll pay.’ It’s the intent,” Agastya added.

Meanwhile, Jaya Bachchan was last seen in ‘Rocky Aur Rani Kii Prem alongside Ranveer Singh, Alia Bhatt, Dharmendra and Shabana Azmi in Karan Johar’s directorial ‘Rocky Aur Rani Ki Prem Kahani’. (ANI)

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Khushi Sunday Dump of her Photos

Khushi Shares ‘Sunday Dump’ Of Her Photos

Actor Khushi Kapoor has shared a string of pictures from her gallery. The pictures featured Khushi and her pet.

Sharing the pictures on Instagram on Saturday, she captioned the post with a white heart emoji.

The actor was looking fresh in a no-makeup filter photo.

The second and fourth pictures showcased her dog.

In the third picture, she can be seen donning a blue and pink bikini.

She can be seen clicking a mirror selfie in the last two pictures.

As soon as she shared the post, fans showered love on Ira in the comment section.

Designer Manish Malhotra reacted with heart emojis.

A fan commented, “Beauty queen.”

Meanwhile, on the work front, Khushi will be sharing screen space alongside Shah Rukh Khan’s daughter Suhana Khan and Amitabh Bachchan and Jaya Bachchan’s grandson Agastya Nanda in ‘The Archies’. Created by Zoya Akhtar’, ‘The Archies’ is coming soon on Netflix and is an Indian adaptation of the famous comic book. However, the release date is not revealed yet.

Zoya recently unveiled the film’s teaser that reveals that the film is set in 1964 in Riverdale, described on a railway sign as a “hill station,” a term dating back to colonial times that refers to a town located at a higher elevation than the nearby plain.

One of the transport links servicing the hill stations are small mountain railway trains running on narrow gauge tracks, known affectionately as “toy trains”, and the teaser opens with a shot of the top train puffing into Riverdale station. The Archies gang play music and dance at parties and classrooms while enjoying their time outdoors.

The teaser also offers a glimpse of the gang — Suhana Khan, Agastya Nanda and Khushi Kapoor — falling in love and going through heartbreaks.

They also performed live on the title track at Tudum 2023. (ANI)

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Dharmendra Shares Photo With Alia

Veteran actor Dharmendra shared a photo with Alia Bhatt from the sets of ‘Rocky aur Rani Kii Prem Kahaani’ on Friday.

Taking to Instagram, he dropped a picture and wrote, “Friends, Loving Aliaa is showing me glimpses of my romantic past. Rocky aur Rani ki prem kahani. “

Both can be seen smiling while looking at something on a tab. Alia wore a green suit. Dharmendra, on the other hand, can be seen in a brown sweater.

Helmed by Karan Johar, the film will hit the theatres on July 28.

Apart from Dharmendra and Alia, the film also stars actors Ranveer, Jaya Bachchan and Shabana Azmi.

Recently, sharing the teaser’s link, Karan wrote, “Presenting to you the first glimpse of a piece of my heart – #RockyAurRaniKiiPremKahaani! I’m thrilled and super excited to finally let it unfurl for you all to see…watch…and give love!!!

TEASER OUT NOW.”

Earlier on Karan’s 51st birthday, the makers unveiled several film posters, increasing the fans’ excitement.

Last year, on his birthday, Karan announced that his next directorial is going to be an action film which he will commence shooting in April 2023, but no new update on the project was announced.

Meanwhile, Alia will also be seen in the upcoming Hollywood action thriller film ‘Heart of Stone’ alongside Gal Gadot. The film is set to stream on the OTT platform Netflix from August 11.

On the other hand, Dharmendra will be seen in director Anil Sharma’s ‘Apne 2’ along with her sons Bobby Deol, Sunny Deol and his grandson Karan Deol. The official release date of the film is still awaited. (ANI)

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Ananya Wished Navya Nanda

Ananya Wished Bestie Navya Nanda On Birthday

Navya Nanda turned a year older on Tuesday, and while many of her friends took to social media to wish her, the most special one came from her bestie Ananya Panday.

Ananya took to her Instagram story to wish her “cozy corner” on her birthday and wrote, “happy birthday to my cozy corner, my anchor, my mummy, my sous chef, my partner in everything. Love you the most my navzu @navyananda.”

Navya Nanda is the founder of Project Naveli and co-founder of Aara Health. Navya Naveli Nanda’s Project Naveli is an initiative to fight the issue of gender inequality in our country, India. Aara Health is a women’s health platform aiming to build awareness and services around feminine health in India.

She is the granddaughter of Amitabh Bachchan and Jaya Bachchan. Her mother Shweta Bachchan is a writer while her father Nikhil Nanda is a businessman.

Navya’s brother Agastya is all set to make his film debut in Zoya Akhtar’s Netflix series ‘Archies’ alongside other star kids Khushi Kapoor and Suhana Khan.

Currently, Navya is gaining popularity through her podcast ‘What the hell Navya’ which she does alongside her mother Shweta, and grandmother Jaya Bachchan.

Talking about Ananya, on the work front, Ananya was last seen in a Pan-India action film ‘Liger’ alongside south superstar Vijay Deverakonda.

Produced by Karan Johar, the film failed to impress the audience at the box office. She will be next seen in a comedy film ‘Dream Girl 2’ alongside Ayushmann Khurrana.

The film also stars Paresh Rawal, Rajpal Yadav, Annu Kapoor, Manoj Joshi, and Vijay Raaz in prominent roles and is all set to hit the theatres on July 7, 2023.

Apart from this, she also has Farhan Akhtar’s ‘Kho Gaye Hum Kahan’ opposite actors Siddhant Chaturvedi and Adarsh Gourav.

Helmed by the debutant director Arjun Varain, the official release date of the film is still awaited. (ANI)

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I Have No Problem If You Have A Child Without Marriage: Jaya Tells Navya

Veteran Bollywood actor Jaya Bachchan, recently during a podcast revealed that she doesn’t have any problem if her granddaughter Navya Nanda has a child without marriage.

Speaking with her granddaughter on the podcast ‘What the hell Navya,’ the ‘Sholay’ actor said, “During our time we couldn’t experiment and a relationship can’t last on love, fresh air, and adjustment.”
Jaya said, “People will find it objectionable coming from me but physical attraction and compatibility are also very important. In our times we couldn’t experiment but today the generation does and why shouldn’t they? Because that also is responsible for a long-lasting relationship. If there isn’t a physical relationship it’s not going to last very long. You can’t be lasting on love and fresh air and adjustment, I feel. It’s very very important.”

“Sometimes it’s a pity but a lot of the younger lot, of course, we never could, we couldn’t even think about it but the younger generation even after me, Shweta’s generation, Navya’s is a different ballgame, but they would feel guilty going through that experience and I think it’s very wrong. It’s okay and then you do things on the sly. If you had a physical relationship and you feel that still, my relationship otherwise not worked out you can be nice about it,” the veteran actor added.

Giving advice to the younger generation, the ‘Silsila’ actor said, “I’m looking at it very clinically. Since there’s a lack of that emotion, the romance today…I think you should marry your best friend. You should have a good friend, you should discuss and say, ‘Maybe I’d like to have a child with you because I like you, I think you’re nice, so let’s get married because that’s what society’s saying’. I have no problem if you have a child without a marriage also, I really don’t have a problem.”

Jaya talked about the topic ‘Modern Love: Romance and Regrets’ on the podcast along with her elder daughter Shweta Bachchan.

Meanwhile, on the film front, Jaya will be next seen in director Karan Johar’s upcoming film ‘Rocky aur Rani Ki Prem Kahani’ alongside Ranveer Singh, Alia Bhatt, Shabana Azmi, and Dharmendra in the lead roles. (ANI)

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Rekha Romantic Scenes With Amitabh

When Rekha Saw Jaya Crying Over Her Romantic Scenes With Amitabh

Even though it has been several decades since rumors of the love triangle between Rekha-Amitabh Bachchan and Jaya Bachchan were rampant, the subject of their romance still has a certain spark.

While Amitabh and Jaya have remained tight-lipped about this alleged affair over the years, this has not been the case with Rekha, who never shied away from talking about it.

Back in 1978, during an interview with Stardust, Rekha spoke about how she saw Jaya getting hurt and being emotional while watching intimate scenes between her and Amitabh in their film ‘Muqaddar Ka Sikandar’.

“Once, I was looking at the whole (Bachchan) family through the projection room when they came to see the trial show of ‘Muqaddar Ka Sikandar’. Jaya was sitting in the front row and he (Amitabh) and his parents were in the row behind her. They couldn’t see her as clearly as I could. And during our love scenes, I could see tears pouring down her face,” she said.

Rekha added, “A week later, everybody in the industry was telling me that he has made it clear to his producers that he was not going to work with me.”

Rumors at the time suggested that after reports about Amitabh and Rekha’s alleged affair had surfaced, these caused a rift between Jaya and Rekha though they had been friends earlier.

‘Muqaddar Ka Sikandar’, released in 1978, had been the last film starring Amitabh and Rekha until Yash Chopra got them and Jaya to star in his 1981 film ‘Silsila’. (ANI)

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NFDC – National Film Development Canned

When the government wants to do something to fulfil its hidden objectives in the name of restructuring art and cultural institutions chances are that will not find favour with the cognoscenti. A much used ploy in such circumstances is to appoint a committee manned by people ready to oblige the powers that be and then readily accept its recommendations. This has happened once again preparing the ground for bringing as many as four institutions doing distinctly different work under the National Film Development Corporation (NFDC).

The process of creating a leviathan out of a moribund NFDC where the government appointed managing director would instead of going by board decisions take direction from the Information & Broadcasting minister and secretary has been set in motion. This NFDC culture of the MD going over the board to the minister, however, is not a recent development. Celebrated film maker Adoor Gopalakrishnan, whose work has received many laurels abroad and great appreciation here, is shocked by the recommendation of the Bimal Julka committee (BJC) that will mean the end of any kind of independence of Films Division (FD), National Film Archives of India (NFAI), Directorate of Film Festivals (DFF) and Children’s Film Society of India (CFSI) as these are sought to be made verticals of NFDC.

Gopalakrishnan gives us a rundown of how NFDC was formed with “high hopes and expectations” based on a recommendation of Dr Shivaram Karanth committee, also called the Film Study Group with members including Mrinal Sen, Shyam Benegal, BR Chopra and Gopalakrishnan himself. He writes in The Times of India: “The Corporation was formed with some of us as members on its first board of directors. We had an MD appointed by the government who would rather take orders from the minister directly than execute the decisions of the board. In effect, the board and the executive (MD) were constantly at loggerheads.” And the MD had impudence to prevail upon the then I&B minister to tell “us to cooperate with her.”

No one in his/her senses will contest Gopalakrishnan argument that the downhill journey of the institution began from the start some four decades ago and during this period more often than not NFDC has worked without a board of directors.

As the government unadvisedly tightened its grip on NFDC, which could only thrive and prosper in an open liberal environment, the institution had lost all its relevance and ceased to be of any value for Indian cinema. Gopalakrishnan is not overstating a bit when he says NFDC has by now “distanced itself from any film business. It now exists for itself.” By way of delivering a coup de grace he says: “It is strange that the government is now planning to saddle it with a heavy load of functions the incumbent is hardly capable of performing even if it is blessed with loads of funds.”

ALSO READ: Is It Curtains For Cinematic Freedom?

While there is no denial that all the four agencies sought to be brought under NFDC are underperforming for a long time, the cure for them is certainly not to leave them to the care of NFDC, which, according to Gopalakrishnan, has “proved its worthlessness beyond any doubt.” When he passes such a strong comment, it is out of frustration that NFDC is not what it could have been had the government not sought to control it through its appointed chief executive. Mercifully, the BJC has not come down in the same way on the Satyajit Ray Film & Television Institute and the Film & Television Institute. For the time being at least, these two are spared the sledgehammer blows of an unthinking committee.

When an institution is sought to be hanged, give it a bad name. That is exactly what BJC has done. BJC report and its acceptance in full by the I&B ministry have great import, not the least because Indians are great cinema loving and each of the four institutions can make major contribution in its respective field provided the right work environment and autonomy are given to them. Strangely, even though the report hasn’t got anything to do with national security, the government is not making it public ignoring the urgings of many. Even the filing under the RTI (right to information) ACT did not oblige the government to show the report to the applicant. No explanation is available as to why the public is to be denied access to the report.

Rahul Rawail, director of some popular Bollywood films overlooked, however, by people hooked onto the works of the kind made by Benegal or Gopalakrishnan here or by Woody Allen or Martin Scorsese in the US, was a member of BJC. He is expectedly too very vocal of the great wisdom that the committee has displayed in proposing that FD, NFAI, DFF and CFSI should be brought under NFDC. Interestingly Rawail himself admits NFDC hasn’t “contributed anything of quality and its workforce was having a ball at the expense of the exchequer.”

That makes one wonder how NFDC then in its present state could bring about redemption of the targeted institutions. Talking about these institutions, Rawail says they in the last ten years “slid into a cesspool of muck due to inefficiency, over-staffing and corruption… The only unit that was devoid of corruption was the DFF though it was suffering due to inefficiency of some employees.”

Gopalakrishnan too confirms the “worthlessness” of NFDC “beyond any doubt.” The point is NFDC itself being in a sorry state, what sense it will make to burden it further with the responsibility to infuse life in four other listless organisations. Or is it, as many suspect, the government objective is to see the end of at least a couple of these institutions under the cover of “streamlining and restructuring?”

Rawail has his agenda to inveigh against the four institutions. But as we know all of them did a good job in the past and at least NFAI continues to work assiduously to restore and preserve old films of class for the posterity. Gopalakrishnan says: “One is at a loss to understand how NFAI, which is the country’s treasure trove of film heritage and culture, can be left to languish under a corporate body like NFDC. It (NFAI) is one institution that has been performing exceedingly well from its inception. Fortunately, for some time now it has been headed by a knowledgeable and dedicated officer.”

Tamper with whatever autonomy NFAI enjoys there will then remain the risk of an “irreparable damage” to the institution. Gopalakrishnan has done well to remind us also of good times for CFSI when Jaya Bachchan, a Rajya Sabha member, was heading it. Instead of giving effect to the BJC recommendation that has the potential to further damaging the institutions if not their withering, the sensible thing will be to find the right leaders for each of the concerned institution and give them the freedom to work, of course under the oversight of the government.