Reel-makers, Influencers Compromise Safety & Scruples For Views

Reel-makers, Influencers Compromise Safety & Scruples For Views

Chandni Pratap Singh, a child rights activist, says short videos makers are often uploading inappropriate content to draw viewers and there is little screening of such videos. Her views:

In this era of social media and Instagram influencers, the trend of making short videos and reels has become common. You can watch these clips on various video-sharing platforms, such as Facebook, Instagram or other similar websites. However, in this frenzied race for instant popularity, many of these influencers make a mockery of traffic rules, legalities and public etiquettes.

Recently, an Instagram influencer from Uttar Pradesh’s Ghaziabad learned this the hard way after she stopped her car midway on a highway to make a reel. She walked alongside a busy road, striking poses which distracted road-users. As her video drew sharp criticism, the Ghaziabad Police tracked her down and slapped a fine of ₹17,000 for violating road safety laws. Of late, police are screening CCTV footage to nab such miscreants and bringing them to heel, but for every one violators caught, there are ten others who go scot free.

These video makers have thrown caution, safety, law and social behavior out of the window to grab a fistful of views. In this race for viewers, they knowingly or unknowingly promote dangerous stunts, use of nicotine, alcoholism, abusive language and even violence. And this content is virtually open to all, including children of impressionable age. Law authorities must wake up to this menace and bring an end to such attention-seeking theatrics.

Chandni with children at her NGO Voice of Slum

At times these influencers promote brands without even understanding their authenticity. They do this to make easy money, get free PR products and of course views. The products recommended by them could be unhealthy, low quality and addictive. But the brands and the influencers couldn’t care less. Besides, their content can influence young age-group and normalise violence, cuss words and unsafe sexual behavior. The line drawn between socially acceptable and unacceptable is being erased.

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The other day I came across a reel that automatically led me to another video showing vulgar moves by a transgender. Clearly, no one keeps a check on this kind of content being uploaded on the platform. The online platform must have some sort of screening before a video goes live on their site.

Let’s accept it, we live in a world where we often handover the iPads or tablets to children in the belief that they will watch cartoons and similar content. However, even popular cartoon shows portray violence in a comical but acceptable manner. They promote repetitive, unpunished, and realistic violence, which can desensitize children to others’ sorrow, pain, and promote racial, gender, and other stereotypes.

I understand that there are several filters and parental control buttons that are available on these platforms. However, there shall be a certain age limit to access the full functions of the social media platforms. Child-friendly laws and scrutiny by the government agencies to control the menace of social media addiction in children is required. We hope that the government understands that children, especially teenagers, need to channel their energy into creative things.

The narrator is co-founder of Voice of Slum, an NGO working for underprivileged children

As told to Deepti Sharma

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Life Reboot III

Life Reboot III – ‘How I Battled My Fears’


He would always discourage my poet father from writing poems, even punish him. Fortunately, my father’s perception about art was just the opposite. At the age of 3, he sent me to a dance school to learn Kathak -an Indian classical dance form. But the general mood in my small, sleepy town of Shivpuri reflected that of my grandfather’s — art doesn’t pay. Though, I am grateful that my father encouraged me to pursue dance, I was initially sceptical about taking it up as a career.

How would pay my bills? But I was to be proved wrong! In 2004, after completing my graduation I moved to the state capital, Bhopal. Though not a metro, it was still a big city. However, here too I faced taunts as I could not converse in good English. I was often ridiculed for not having a ‘good personality’. Unable to find a good job I enrolled in an air-hostess training course.

But still I could not get a job because of a scar on my forehead. Finally, I decided to move to Delhi, but could only find a job at a BPO. Though my employees were good, I felt I was an artist trapped in a BPO. You can imagine how my free, creative spirit would have felt about targets, endless calls, meetings and insane shifts. I had resigned to a life of mediocrity and never thought that it was possible for me to become a respected artiste, choreographer.

Graveyard shifts meant my body rhythm had gone haywire. Lack of sleep meant I didn’t have the energy left to dance. The meagre salary meant, I could only afford a single bed in small PG accommodations, where most of the times there wasn’t even enough space to stand, let alone dance. I later moved on to the tech support team at HCL, and life was marginally better. By 2011, things began to look up for me. I started participating in cultural events at our office after a friend talked me into it.

One of my dance performances at an office event (Talent Council Election) caught everyone’s imagination. I started getting noticed and was praised by the top management. I helped start a culture of art encouragement at HCL. Though I did not possess an MBA degree, I was asked to join the HR team as an Employee Relations Executive.

Meanwhile, my roommate helped me with my English speaking. I was allaying my fears, one at a time. In 2003, I finally quit my job and started teaching dance at the Delhi Dance Academy in Lajpat Nagar and at various schools. It was physically tiring, but soul-satisfying. I later moved on to a bigger studio in Kalkaji called Dancercise. By 2014, I had an impressive number of students, including a few foreigners. I also realised that nobody, not even the foreigners, cared about my English.

They only cared about my teaching skills. And I can make anyone dance. I may sound immodest, but I first move people’s souls and then move their feet. I soon started putting dance tutorial videos on YouTube. One of my dance tutorial videos on YouTube garnered over of one crore views. Most of my videos were receiving views between 20-80 lakhs. Soon, I began getting invitations from the likes of Google for conducting special training sessions.

I was part of the recently organised YouTube Fanfest, 2018. And today I feel proud to be a bonafide artiste — a small town girl, who learnt that there is no point in holding ourselves back from dreaming big. Life came full circle, when residents, artiste associations and municipal bodies of Shivpuri recognised my work and showered me with awards and accolades. To help my town dream big, last year I organised a dance workshop for kids. My father recently wrote a poem on me. Dream on, dance on, live on!