‘We Must Find Other Ways to Counter Propaganda Films Than Banning’

Vidhu Vincent, a film director, writer and theatre activist from Kerala, recalls how propaganda films played a big role in the rise and growth of Nazism in Germany. Her views:

The Kerala Story, released recently has sparked off a controversy for its subject and treatment. There has been a widespread demand to ban the film as it promotes hatred against one community. The West Bengal government has banned it while BJP-ruled states have exempted from tax. In my opinion, it is not right to demand that the film should be banned. In that sense, filmmaker Sudhir Mishra, who has made yet another meaningful film called Afwah on the contradictions and tensions in contemporary India, is right: that no film should be banned and that there should be space for all opinions and perspectives in the cinema narrative – good or bad.

Mishra was talking about The Kashmir Files, where although he does not seem to agree with the content of the film, he would not seek a ban on it. Indeed, there should be reasonable debate and discussion about the film and let the audience watch it and make their observations about the film, however good or bad it might be.

Certainly, the right to freedom of expression is a constitutional right guaranteed in our pluralist and secular democracy, and everyone has every right to enjoy it. However, such propaganda films with apparently little regard for reality or facts, and with an ulterior motive to polarize or spread bad faith, needs to be countered in another way.

ALSO READ: ‘Kashmir Files A Political Ploy To Demonize Muslims’

We have to make real stories, big and small films, dramas, documentaries, literary works, refined and meaningful creations in arts, cinema and literature. We should write stories and poems etc., and show it in the public domain. Undoubtedly, this would be a strenuous and painstaking counter-action, but let the people decide what the real story is and what the reality is on the ground.

Vincent’s movie Manhole (left) won her the Kerala State Film Award for Best Director

Film critics have largely trashed The Kerala Story, with a prominentvoice describing it as “a poorly-made, poorly-acted rant which is not interested in interrogating the social complexities of Kerala, an India state proud of its multi-religious, multi-ethnic identity”. The quick change of the controversial film’s propaganda tag, to three women — from almost 30,000 women of Kerala who were allegedly converted to ISIS etc. — clearly shows how the film has been made up of lies. Now, everyone has been convinced of this lie because they had to correct it, during the judicial process where it was challenged.

It is historically well-known that the during the Nazi regime in Germany and the Holocaust that followed in parts of Europe, path-breaking filmmaker, Leni Riefenstahl, Hitler’s favourite film director, made propaganda films like Triumph of the Will and Berlin Olympics, in a gigantic scale. In those times, these motion\documentary pictures were generally recognized as an epical and innovative work of propaganda film-making. The film took Riefenstahl’s career to a new level and gave her further international recognition. Not only in Germany, these films have also been screened in other parts of the world.

These propaganda films had played a big role in the rise and growth of Nazism in Germany. Hence, there is no doubt that these propaganda films will work at some level during certain times. Hence, it is all the more important to counter it with a new, mainstream and parallel cinematic and artistic narrative, and defend this narrative using the tools of art, culture and aesthetics.

The narrator made her feature film debut with the Malayalam film Manhole, which won the Kerala State Film Award for Best Director. The film also won two awards at the 21st International Film Festival of Kerala, including the Best Debutant Director Award

As told to Amit Sengupta

Yogi Adityanath

‘The Kerala Story’ Goes Tax-Free In UP, MP

The Uttar Pradesh government will make the recently released film ‘The Kerala Story’ tax-free in the state, Chief Minister Yogi Adityanath announced on Tuesday.

“‘The Kerala Story’ to be made tax-free in Uttar Pradesh,” CM Yogi said in a tweet.
The Chief Minister along with his cabinet colleagues is expected to watch the film at a special screening.

Madhya Pradesh had made the movie tax-free in the state on May 6.

Stating that the ‘The Kerala Story’ “exposes the conspiracy of love Jihad, religious conversion and terrorism,” Madhya Pradesh Chief Minister Shivraj Singh Chouhan had said that the newly released movie has been made tax-free in the state.

“The Kerala Story exposes the conspiracy of love Jihad, religious conversion and terrorism and brings out its hideous face. The film tells how the daughters get entangled in the trap of love jihad in momentary sentimentality and how they are ruined. The film also exposes the design of terrorism. This film makes us aware,” the Chief Minister said in a video posted on his official Twitter handle.

The movie is not being screened in Tamil Nadu and West Bengal.

The West Bengal government in a notification on Monday said that the movie ‘The Kerala Story’ is “likely to cause a breach of peace” and that it has prohibited the screening of the film to avoid “any incident of hatred or violence to maintain law and order in the state”. (ANI)

The Kerala Story

West Bengal Bans ‘The Kerala Story’ To Avert Violence In State

The Trinamool Congress government in West Bengal banned the film ‘The Kerala Story’ citing “maintenance of peace” and to avoid incidents of “hatred and violence” in the state.

West Bengal became the first state to ban the film, which narrates the ordeal of three women who are trafficked to ISIS camps after being converted to Islam through marriage.

There’s a continuing political outcry around the movie even as it has been made tax-free in BJP-ruled Madhya Pradesh.

On the decision to ban the film, West Bengal Chief Minister Mamata Banerjee said, “It is to avoid any incident of hatred and violence, and maintain peace in the state.”

Also raking up the ‘Kashmir Files’, a film on the alleged genocide of Kashmiri Pandits, which ran to packed houses despite evoking protests from the Opposition, the Bengal CM said, “What was ‘The Kashmir Files’? It was meant purely to humiliate a particular section of society. What is ‘The Kerala Story’? It is a distorted story.”

The CM directed the state chief secretary to remove the movie from all theatres where it is being screened.

Reacting to the ban, Vipul Amrutlal Shah, the producer of the film, said they will pursue legal options against the decision.

“If state government won’t listen to us, we will explore legal avenues. However, whatever course we take will be based on legal advice,” Shah told ANI.

Helmed by Sudipto Sen and produced by Vipul Amrutlal Shah, the film evoked sharp opposition from Kerala Chief Minister Pinarayi Vijayan, who called it “RSS propaganda”.

Congress MP from Kerala, Shashi Tharoor accused the makers of “misrepresenting” Kerala.

Campaigning for the BJP in poll-bound Karnataka, Prime Minister Narendra Modi, too, weighed in on the controversy, accusing the Congress of standing with terrorists.

‘The Kerala Story’ stars Adah Sharma, Yogita Bihani, Siddhi Idnani and Sonia Balani in lead roles.

A massive controversy erupted around the film after its trailer claimed that 32,000 women from Kerala had gone missing and joined the terrorist group ISIS. However, in the face of protests, the contentious figure in the trailer was later withdrawn.

Its trailer description was later changed to a story of three women from Kerala. (ANI)

The Udan Pari, or Flying Fairy, of Indian Sports Has Feet of Clay

India’s Sprint Queen, PT Usha, has feet of clay

Last year, India’s most celebrated woman athlete, P.T. Usha was nominated to the Rajya Sabha. A veteran sprinter, Usha has to her credit four Asian gold medals and 7 silver medals and is often called the “Queen of Indian Track and Field”. Last week, Usha came out in defence of the Wrestling Federation of India (WFI) chief, Brij Bhushan Sharan Singh, popularly known as Brij Bhushan. Bhushan, a member of India’s ruling Bharatiya Janata Party (BJP) and member of Parliament, is facing multiple accusations of sexual harassment and physical aggression.

Since January this year, Indian wrestlers have been protesting against the 66-year-old Bhusan for his alleged misbehaviour and sexual harassment of women wrestlers. The protesters have demanded his arrest and ouster from his official position. To be sure,  over the years there have been several other allegations against Bhushan: he has confessed to a murder; he was involved in the demolitions of the Babri Masjid; he has been caught on camera slapping a wrestler; and he is believed to have had connections with the underworld and was charged in 1992 for helping the Dawood Ibrahim gang in organising a shoot at an Indian hospital.

When the latest controversy surrounding him erupted, and wrestlers and other sportspersons, including Olympians, organised morchas and assemblies in the capital, instead of coming out in support of those who were protesting, India’s Sprint Queen Usha chose to take a surprising line: she said that the agitations against him were “not good for the country’s image” and that those who were taking up the cause of women wrestlers were “indisciplined”. 

Patronage does that to some people. When the ruling regime rewards you with a position of prestige–in the 58-year-old Usha’s case, it was the trappings of a Rajya Sabha membership–it can create a sense of pathetic obeisance to your patron and lead to loss of sensibilities. Unfortunately, Usha, who is also the chief of the Indian Olympics Association, has fallen victim to that disgusting syndrome. 

To be sure, three months ago, India’s sports ministry constituted a committee, headed by boxing star Mary Kom, to examine the charges against Bhushan but till now the committee has not returned with any report or observations. Incidentally, Kom, 40, has also served as a Rajya Sabha MP from 2016 to 2022. She was also nominated to the upper house by the ruling regime. 

The politics of patronage is an odious thing. In India, it afflicts people from all walks of life. Every year before the run-up to the national Padma awards begins there is hectic lobbying that many resort to. As is the case when it comes to lobbying for the 12 nominations to the Rajya Sabha. With few exceptions, in most cases the nominees are decided by the ruling regime on political considerations and, also in most cases, those who accept the nominations appear to also compromise with their vertebrae: like Usha, they become spineless.

Meanwhile, even as a police case has been filed against Bhushan, the WFI chief is adamant and insists that he is innocent. He has said that he will cooperate but is not willing to face investigations as a criminal. The controversy surrounding him rages on.

As defence ministers meet, India’s border spat with China continues 

Last week, India’s defence minister Rajnath Singh met with his Chinese counterpart General Li Shangfu and emphasised that China had violated the terms of existing agreements between the two countries in the border row in eastern Ladakh. China claims large tracts that India insists belong to it and recently a list of locations in the Indian state of Arunachal Pradesh that were renamed in Chinese by China were revealed. 

The Indian Army and the Chinese People’s Liberation Army (PLA) have had 18 rounds of talks to ease tensions along LAC in the region but a resolution has remained elusive. The latest border row between the two countries has been on for three years.

Meanwhile, in response to India’s allegations of violations, China has stated that the situation along the Line of Actual Control, a notional demarcation line that separates Indian-controlled territory from Chinese-controlled territory in the Sino-Indian border dispute, remained “stable”. 

In lay terms, the talks between the two defence ministers have failed to unlock the stalemate over the border dispute.

Politicising the rescue of Indians stranded in Sudan 

When the nationals of a country are caught up and stranded in another country because of civil strife or war in that foreign location, it is the onus of their government to arrange means of repatriating them. India has done the same. When civil war erupted in the north-east African nation of Sudan with anti-government militia clashing with the Sudanese army, thousands of Indians were stranded there facing huge risks to their lives. Accordingly, the Indian government sprang into action and launched an operation, coordinated between the government and the Indian embassy, which rescued stranded Indians and repatriated them back to India.

The action was laudable and on point. However, it was named Operation Kaveri, a reference to the major river in southern India that flows through the states of Karnataka, Tamil Nadu, and Puducherry before emptying into the Bay of Bengal. The naming of the rescue operation, believed to be done at the behest of Prime Minister Narendra Modi, is of significance. 

Many of the stranded Indians in Sudan are originally from the southern states of Karnataka and Tamil Nadu where the River Kaveri is revered and worshipped. In these states, it is a sacred river that is worshipped as the Goddess Kaveriamma (Mother Cauvery and is considered to be among the seven holy rivers of India. It is extensively used for agriculture in both Karnataka and Tamil Nadu.

Cut now to politics. On May 10, Karnataka will hold its assembly elections. Opposition parties have alleged that naming the Sudan operation after the sacred river is aimed at generating positive sentiment for the Bharatiya Janata Party, which wants to fare well in the polls in order to build an inroad into southern states where its clout and influence is poor. The Congress has called it a “low-blow tactic” by the BJP, while the latter has countered it by citing that the code name for the operation notes the sacredness of the river. When the government took action to repatriate Indians stranded in Ukraine, it called it Operation Ganga. 

Meanwhile, India has successfully moved approximately 1,700 to 2,000 Indian nationals out of the conflict zones in Sudan.

Another film; another controversy

The trailer of the film, Kerala Story, by film producer, Vipul Amrutlal Shah, has led to an eruption of controversy. The film, which is to be released on May 5, is believed to be about the story of how women from the Indian state of Kerala were duped and trafficked to the Islamic State of Iraq and Syria in the strife-ridden region of Syria. 

The film purportedly shows how “Love Jihad” was used to lure more than 30,000 women from Kerala by the ISIS. “Love Jihad” is a term that originated in India, referring to an alleged practice of Muslim men targeting non-Muslim women for conversion to Islam through seduction, love, and marriage. The term is not recognised as a legal or sociological concept in India, and the claims of its existence are considered controversial and contested.

The film’s teaser was released last November but in a complaint filed by a journalist based in Chennai, it has been alleged that the film depicts Kerala as a “terror-supporting state” and that it undermines India’s intelligence agencies. Different political parties have also waded into the controversy and fear that its release could spark communal tensions. Hindu hardliners, on the other hand, have taken to social media and other platforms in support of the film.

Not long ago, another film, The Kashmir Files, directed by Vivek Agnihotri, generated controversy and criticism, with some accusing it of being politically motivated and promoting a divisive narrative. One of the main criticisms of the film is that it portrays the exodus of Kashmiri Pandits as a result of Muslim fundamentalism and terrorism, while downplaying the role of the Indian government and security forces in the displacement. Critics argue that the film’s portrayal of the situation is one-sided and ignores the complex political and historical factors that led to the exodus.

Let them eat Chocolate?

Days before his formal coronation on May 6, a life-sized bust of King Charles has been made from more than 17 litres of melted chocolates. The bust weighs 23 kg and took four weeks to make. It will be on display in the town of Slough, bordering Greater London.

There is no information, though, about what will eventually happen to the chocolate bust made by Mars, the confectionery company. 

The idea of making Chocolate Charles, although not associated with the Palace or the monarch in any way, recalls the old story about the phrase “let them eat cake”, which is often attributed to Marie Antoinette, the Queen of France during the French Revolution. The story goes that when she was told that the people of France had no bread to eat, she callously responded, “Let them eat cake.”

With the British economy under stress–high inflation, shortages of food and energy in the aftermath of Brexit, and several unseemly political controversies–a bust of its king made out of chocolates could seem a tad ironic, or even darkly surreal.